Beneath the domestic surface

Zen garden (21 May 2016)

Zen garden (21 May 2016)

“Mementos that Bird has kept for years hold the past inside them, making it tangible and permanent: clippings of Mickey’s hair, peels of the first orange they shared, a bloody tissue. They stir nostalgia but reopen its wounds, like scabs asking to be tugged back so they can bleed.” (from Sarah Gerard’s NYT review of “Bird” by Noy Holland)

On page 59: a lovely sentence that seems like a found senryū …

A swell of things:
gathered, unsortable,
gone. 

“It is here, in Holland’s subtly radiant ­details … that “Bird” shines brightest, since they so aptly mirror what’s happening beneath the domestic surface.” (another snippet from Sarah Gerard’s review)

This novel sings like
poetry; I’m obliged to 

read between the lines.

(19 May 2016)

“The writing is hallucinatory, musical and intimate.” (Sarah Gerard)


Holland, Noy. 2015. Bird. Berkeley, CA: Counterpoint Press.

Can we?

scrabble sculpture (03 Dec 2011)

scrabble sculpture (03 Dec 2011)

Can we? — quickly now!
— Can we just keep pretending
that nothing happened?

(07 May 2016)


The text here is something plucked indiscriminately, unresisted, out of my subconscious. “Reality is … a sum of all texts in various media, including action and thought” (Annette Lavers. 1982. Roland Barthes : Structuralism and After. London: Methuen & Co. [p171].

On Lambton Quay

two violins by Danny Andreini

two violins by Danny Andreini

On Lambton Quay, Bach
for two violins; small boy
stands captivated.

(16 May 2016)


On an autumn afternoon, unexpectedly, a vivacious counterpoint crosses Lambton Quay and stirs up in me both joy and nostalgia.

Thin red line

thin red line (23 December 2015)

thin red line (23 December 2015)

“You like buildings, do you?” A mature female voice is addressing me.

I am in Victoria Street, and about to click the shutter on this image, an uncommonly handsome view of the Central Police Station – a strong contender, I reckon, for the title of Wellington’s ugliest building.

Standing at my right shoulder, the speaker is clad in a striking mauve jumpsuit. Jauntily perched on her head is a smart little summer hat. She is not someone I know.

I smile as she wishes me the compliments of the season.

“I like anything that catches my eye,” I tell her. “So be careful.”

The clock ticks three times as she registers what has been said. And then both her thumbs go up. “Nice one!” she declares.

 

 

The last ever Kirkcaldie’s Christmas Shop

I wanted to write a nostalgic piece about the last ever Kirkcaldie’s Christmas Shop … but these photos I snapped on Sunday afternoon took the words right out of my mouth.

In June of this year, it was announced that “Troubled Wellington department store Kirkcaldie & Stains, affectionately known as Kirks, is poised to shut its doors next February.” Dating back to 1863, Kirks has been the capital city’s leading department store for generations, and is the oldest in the country still trading under its original name. The silver lining, according to Kirks chairman Falcon Clouston, is that the site would reopen as the first New Zealand store of Australian retailer David Jones, which aims to retain most of the 270 staff. (Adapted from a story by Catherine Harris, James Weir & Talia Shadwell (see Stuff link here))

Year by year, since I don’t remember when, I’ve been adding to my lovely collection of Christmas tree ornaments, and Kirkcaldie’s has been a major source. There’s also a lovely group of white plaster putti, and some elegant German glass (etched and cut), but that’s another story for another time.

It remains to be seen what David Jones will come up with next Christmas. In the meantime, the two red poinsettia flowers from the last ever Kirkcaldie’s Christmas shop look great on this year’s tree.

A Unique Trust Placed in Chance and Eternity: Philosopher Alain Badiou on How We Fall and Stay in Love | Brain Pickings

Source: A Unique Trust Placed in Chance and Eternity: Philosopher Alain Badiou on How We Fall and Stay in Love | Brain Pickings

A photographer edits out our smartphones to show our strange and lonely new world

“Angie and me” by Eric Pickergill

Click on this link to read more: A photographer edits out our smartphones to show our strange and lonely new world

What would Barthes think of his Hermès scarf? – The New Yorker

“It is fair to say that there exists in our era a tragic discrepancy between the staggering richness of the visible world and the extreme poverty of our capacity to perceive it.”

word pond

” . . . world blindness, a disease described superbly by Robert Harrison in his book “Gardens: An Essay on the Human Condition”: “It is fair to say that there exists in our era a tragic discrepancy between the staggering richness of the visible world and the extreme poverty of our capacity to perceive it.” The cure, Barthes knew, can be found in the study of literature, photography, and other art forms, optimal training grounds for developing the kind of attention necessary to see what surrounds us.” – Christy Wampole

What would Barthes think of his Hermès scarf? – The New Yorker

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Café culture

Athfield Havana Bond (19 October 2015)

Athfield Havana Bond (19 October 2015)

Architect Ian Athfield died on 16 January this year. In the New Zealand Listener (dated the day before), Diana Wichtel presented an engaging interview, first published in the Listener in 2012, in which Ath “talked about starting his landmark ‘act of defiance’ in 1965, and finally wanting to finish the place.” Interview: Architect Ian Athfield

My image shows an advertisement for Havana Coffee. The green Telecom Building peeping in at the top corner of the image, was, according to one NCEA student, “built in a boom period when New Zealanders had big ideas and wanted their cities to look like international ones …”

Mois de la Photo Montreal – Biennale 2015: The Post-Photographic Condition | LensCulture

The Post-Photographic Condition | LensCulture

word pond

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Mathieu A., 2005. From the series, “Autoportraits robots.” Courtesy of the artist and galerie UNIVER / Colette Colla, Paris. © Leandro Berra

“Post-photography is not a style or a historical movement but a rerouting of visual culture

Source: Mois de la Photo Montreal – Biennale 2015: The Post-Photographic Condition | LensCulture

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