On 16 February the Wellington City Council announced that “The [Civic Square] Portico has been successfully removed!” (see WCC Facebook page) “There will be some finishing work being done to the Portico over the next couple of weeks and scaffolding will remain up for that, but the pathway between the two buildings is clear,” WCC said.
This shot – captured a month later – offers evidence that estimates of the time it would take to complete the project were far from precise.
On 16 February the Wellington City Council announced that “The [Civic Square] Portico has been successfully removed!” (see WCC Facebook page)
This shot – captured 6:20pm the following day – features strings of coloured pennants, part of the publicity for the ICC Cricket World Cup match between BLACKCAPS and England Cricket.
“There will be some finishing work being done to the Portico over the next couple of weeks and scaffolding will remain up for that, but the pathway between the two buildings is clear,” WCC says.
In between harsh words and disappointments, the pouring of tea.
It turns out that there’s a lot of important things you can’t say with flowers. Some of them can’t even be said with words.
“Be patient toward all that is unsolved in your heart and try to love the questions themselves, like locked rooms and like books that are now written in a very foreign tongue. Do not now seek the answers, which cannot be given you because you would not be able to live them. And the point is, to live everything. Live the questions now. Perhaps you will then gradually, without noticing it, live along some distant day into the answer.” (Rainer Maria Rilke, in Letters to a Young Poet, #4)
In 1903, Rilke replied in a series of 10 letters to a student who had submitted some verses to the well-known Austrian poet for an assessment. Written during an important stage in Rilke’s artistic development, these letters contain many of the themes that later appeared in his best works. Essential reading for scholars, poetry lovers (Book Depository).
“Belshazzar’s Feast is described in the Book of Daniel.” The Wikipedia article, Belshazzar’s Feast, gives only the barest outline of the story: “Babylonian king Belshazzar profanes the sacred vessels of the enslaved Israelites. As prophesied by the writing on the wall, and interpreted by Daniel, Belshazzar is killed and Darius the Mede succeeds to his kingdom.” But the article does include a comprehensive list of the many works of art and music which depict the story.
Wikipedia’s overarching article Belshazzar gives more detail, but you might also want to read Wikipedia: The writing on the wall, which explains that “As those at the feast profaned the sacred vessels pillaged from the Jerusalem Temple, a disembodied hand appeared and wrote on the palace wall the words, ‘Mene, Mene, Tekel, Upharsin’. The visionary Daniel was summoned and interpreted this message as the imminent end for the Babylonian kingdom.”
The Babylonian ruler (co-regent with Nabonidus, his father) is killed and his kingdom goes to Darius the Mede … and the Israelites remain in captivity. The Jewish Encyclopedia provides details of the sacrilegious ruler’s death.
The phrase, “the writing is on the wall” and its variants have passed into common usage – usually indicating awareness of some imminent and/or inevitable stroke of fate.
I find the Belshazzar’s Feast narrative interesting in terms of its structure. Would it occur to the wealthy – feasting in plush restaurants while their gated fortresses and garage doors are bombed by taggers – that they, like Belshazzar, are receiving messages from the Hand of God? Probably not. By the way, there is an interesting twist: it is the feast itself – and not the writing on the wall – which constitutes the act of desecration.
The images presented below were captured on 25 April 2014. Three shots of the same tag, they do not pretend to the divine; on the contrary, they endeavour to do nothing more than deconstruct an inter-textual artefact – emptying out the conflictual aspect of the tagger’s having defaced a wall previously painted to advertise and promote Orchestra Wellington and suggesting instead a new set of “artistic” values.
“Hobbit stamps, Hobbit coins and Hobbit markets are all in the works as the city of Wellington, New Zealand, prepares for the world premiere of ‘The Hobbit: An Unexpected Journey’ on Nov 28.” (Mark Johanson, writing in the International Business Times, 10 Oct 2012)
“The film is the first in a trilogy, with director Peter Jackson returning to JRR Tolkien’s novels after his hit adaptations of Lord Of The Rings.” Subtitled ‘An Unexpected Journey’, the film stars British actors Martin Freeman and Sir Ian McKellen. (BBC News : Entertainment & Arts, 08 Oct 2012)
I snapped these shots this morning on my way to work. (The Embassy Cinema, on Wellington’s Cambridge Terrace, is just a few minutes’ walk from my apartment.)