Buses on route 2 (Miramar to the Wellington railway station) are so well patronised you’ve got to wonder why they don’t run more often. Be that as it may, I don’t mind standing as long as I have somewhere to hold on securely. And I must not get crushed into a position that makes getting off difficult.
Thursday morning, at around eight-fifteen, I’m about to get off at Arty Bee’s Bookshop. I have my Snapper card ready. I can see myself able to squeeze through to the front door. I pick up my bag. Because it’s made of paper, however, and because it has been in the rain, it abruptly collapses. Books, bananas, bits, and bobs spill onto the floor.
A quiet calm settles upon me as the kind people around me pick things up and hand them to me. With surprising clarity of mind, I take stock … Yes, I have everything, thank-you, people. Once off the bus, I reorganise myself and my belongings. Then it dawns on me: I haven’t tagged off. But that’s okay, because people are still pressing their way in.
Calmly … sublimely serene … I reach into the bus and tag off.
I am loved. I am cared for. Aren’t people lovely?
PS: Posted this little anecdote first on Facebook. My sister-in-law enquired: “Did you make it to Porirua or did you abandon your weekly visit [to see father at Kemp Home] due to the flooding out here?”
My response: “I made it to Porirua, but one of the other passengers on the 211 had her mobile running reports on the flooding. So I got Dad on the phone and told him he’d have to do without the bananas and chocolate. We had a good chat.
“Then I walked through the rain from Pataka to the railway station. At one intersection, the water was ankle deep. The journey back home was uneventful, but I was happy to change into dry clothes and wait for the arrival of the two boxes of wine I’d arranged to have delivered after lunch.”
Would a basic level of income change the world for the better? At FiveThirtyEight, Andrew Flowers writes on how guaranteed income is gaining traction.
The images on Karen McRae’s blog make me gasp.
There was a small taste of spring here before winter came back to to say its goodbyes. The cold and strong winds of a few days ago have fashioned some icy sculptures along the river’s edge and on this quiet morning a thin layer of fresh ice was singing and straining under the stirring of a waking river. Later today we are promised snow and the landscape will transform temporarily yet again. As much as I find these transformations fascinating and lovely to photograph, I think I am quite ready for real spring.
Above images: The Aftermath, April 06, 2016
Above image : Wind & Waves, April 03,16.
Below: click on image to open gallery view.
© Karen McRae, 2016
This brief post intends to signal that posting to |A Twisted Pair| has recommenced.
It seems not much has changed since then. My last post, on Christmas Eve 2015, carried “an uncommonly handsome view of the Central Police Station – a strong contender, I reckon, for the title of Wellington’s ugliest building.”
Less than a fortnight ago, I posted an image on my Facebook page under the title, REFLECTING ON POLICE BRUTALITY, as follows:
To my eye, the Wellington Central Police Station is one of the ugliest buildings in the city. Upon reflection (in the surfaces of the building on the opposite side of Victoria Street), it does seem more interesting. This image dates from 19 March 2016.
“Brutalist architecture is a movement in architecture that flourished from the 1950s to the mid-1970s, descending from the modernist architectural movement of the early 20th century. The term originates from the French word for “raw” in the term used by Le Corbusier to describe his choice of material béton brut (raw concrete). British architectural critic Reyner Banham adapted the term into “brutalism” (originally “New Brutalism”) to identify the emerging style.”
Click on this link to read more: A photographer edits out our smartphones to show our strange and lonely new world
“It is fair to say that there exists in our era a tragic discrepancy between the staggering richness of the visible world and the extreme poverty of our capacity to perceive it.”
” . . . world blindness, a disease described superbly by Robert Harrison in his book “Gardens: An Essay on the Human Condition”: “It is fair to say that there exists in our era a tragic discrepancy between the staggering richness of the visible world and the extreme poverty of our capacity to perceive it.” The cure, Barthes knew, can be found in the study of literature, photography, and other art forms, optimal training grounds for developing the kind of attention necessary to see what surrounds us.” – Christy Wampole
The Post-Photographic Condition | LensCulture
“Post-photography is not a style or a historical movement but a rerouting of visual culture